Julian Gough

(Photo: Michael D. Higgins, Julian Gough, and the late Séamus Brennan, at the NUIG Alumni Awards Gala Banquet, on March 1st 2008. Photo by Aengus McMahon.)

The funeral of Séamus Brennan, the Fianna Fáil politician and former government minister, was held yesterday. Given that there's hardly a page of Jude: Level 1 that doesn't feature a prominent member of Fianna Fáil inciting vast crowds into a homicidal xenophobic frenzy, taking bribes from property developers, or using an illegally held firearm to try and kill a defenceless orphan, it's only fair to say that Séamus Brennan was one of the good guys. He stood up to Charlie Haughey when that was a dangerous thing to do, and he tried to clean up a corrupt and scandal-banjaxed Fianna Fáil when the task seemed impossible.

I met Séamus Brennan, for the first and only time, earlier this year. We were both receiving awards from NUIG (or University College Galway, as it was when we were there, back in the early Middle Ages). My award was for my contribution of the term "Ardcrony ballocks" to Irish literature. His was for his contribution to Irish politics, which was considerable. As Ireland's Minister for Transport in the early 1990s, he had broken the (state-owned) Aer Lingus monopoly on flights to Britain, and thus freed a tiny and struggling Irish airline called Ryanair to survive, then thrive. (The young, and the non-Irish, cursing at the 3 euros they've just paid for a small bottle of water on their 1 euro Ryanair flight, will not be aware that air travel out of Ireland, until Séamus Brennan's reforms, was far, far too expensive for 90% of the Irish population. Which was the only reason there was anyone left in Ireland by the early 1990s... My generation had to emigrate by bus.) Later, he was a highly regarded Minister for Social and Family Affairs. When I met him, this year, he was Minster for Arts, Sport and Tourism (the ever-mutating ministry which appears in Jude: Level 1, thinly disguised as the Ministry for Beef, Culture, and the Islands).

The NUIG Alumni Awards ceremony was a black tie affair, Gala Ball and all, and my noble punk spirit was seething after the third round of photographs, "Stand there", "Sit there", "Hold the award a little higher."

I said to Séamus Brennan (who was patiently cooperating, changing seats when asked, standing up, sitting down), you must get awfully sick of these events, I'd imagine this must be astoundingly boring for you. No, actually, he said. Politicians are always handing these things out, but we never get to keep one. In fact, I think this is the first award I've ever received. And it's a great feeling, it's a great honour.

He was so pleased, and humble, and as a result dignified, that I felt like a spoilt little shitehawk for not accepting the award more graciously. So I amended my attitude, and my mood improved enormously, and I had a great night, with my beloved and my family, feasting and dancing and generally knocking seven kinds of crack out of it.

I also talked quite a bit that night with Séamus Brennan, and with the blessed Michael D. Higgins, another former Minister for the Arts, and former recipient of an NUIG Alumni Award (and a former lecturer of mine, in sociology, who used to put the Labour Party's noble redistributionist policies into action by buying me coffee and buns in the canteen after lectures, when I was seventeen and staaaarving). We talked about everything from Beckett to Braveheart, and Séamus Brennan came across as a gentle, thoughtful man, at peace with himself. The shoptalk of two Ministers for the Arts gives a very entertaining insight into the peculiar mix of glamour and grind in the job. At one point, Séamus passed on Mel Gibson's best wishes (from a party the week before) to Michael D. (Michael D. Higgins had, as Minister, helped Mel shoot Braveheart here in Ireland by loaning him, among other things, the Irish Army.) I also heard some very entertaining stories about paperwork and three-foot-high piles of receipts (which reflected very well on Mel Gibson, and less well on some of our much smaller, native Irish film makers.) A mighty night.

Séamus Brennan was diagnosed with cancer a year ago, so he must have known he was dying that night. (Or dying a little faster than the rest of us, as Beckett would probably point out.) He still managed to bring something to the party.

I liked him a lot. May he rest in peace.

Forgot to mention, I'll be talking about the short story, and the BBC National Short Story Award, on the Today programme on BBC Radio 4, later today (Friday July 4th 2008) at the maythesweetlordhelpus hour of 7.20 in the morning. (There's a seven-twenty in the MORNING as well? Who knew?)

Totally forgot to mention it in time for anyone to actually tune in, sorry. This is not because I'm blasé, it's because I'm totally untogether (and find it hard to believe anyone would be interested in my opinion of the short story).

 I will be talking for about ten seconds, probably, so you missed nuthin'.

There's an enjoyable discussion of spam poetry going on, over at the Guardian Books blog.  I just posted a contribution there, so I may as well repeat it here...

I'm a fan of spam. I like the way that, beset by predators, predatory itself, it evolves with furious speed. I like to have a dip into my spam box every couple of weeks to see the new trends evolving (like the recent "What a stupid face you have" / "You look so stupid in this photo" variations.)

Ben Myers is right on both points, it's a stunning resource for poets, but to make good poetry out of it you have to be a very good editor. Alive to nuance and resonance. I've been playing with spam poems for years. (Not just spam: this week, I wrote two poems I'm very pleased with, constructed entirely from the legal disclaimers on poetry websites.)

By using spam, and other internet debris, poets can essentially outsource free association. But the best comment on the perils of the method comes from W.H. Auden, in a letter to the poet Frank O'Hara, long before the internet:

“I think you (and John {Ashbery} too, for that matter) must watch what is always the great danger with any ‘surrealistic’ style, namely of confusing authentic nonlogical relations which arouse wonder with accidental ones which arouse mere surprise and in the end fatigue.”
-W. H. Auden

If your ear/nose/throat/soul (add to/delete as appropriate) are alive to authentic nonlogical relations, then spam and all the other digital junk of the internet are your friend. They can jolt you out of the deep groove of habit. The first and hardest step in surprising and delighting others is surprising and delighting yourself.

I've roughly fifty subjects I'd like to blog on. Football! Monolines! Street parties! The Irish housing bubble! Popstar poetry! The mysterious Blau Blau Blau movement! How to write for the new attention span! My new life with Will Self's pig! Too many possibilities. Can't decide.

Tell me if any of the above interest you, and it might help me focus on one of the blighters, and get it done.

Meanwhile I have an article, on economics as a religion, in the new issue of Prospect (the wonderful London-based magazine of ideas). The issue also features a round-table discussion of the current global financial crisis. Several of my favourite thinkers on economic matters take part, including the philosophical hedge fund manager George Soros, and the very wise and grave chief economics commentator of the Financial Times, Martin Wolf. After they have thoroughly depressed and demoralised the readership with the awfulness of it all, I provide the light entertainment, in a two-page afterword, "The Sacred Mystery of Capital".

A sample paragraph or three:

"... But religions evolve, and recent events show that capitalism has begun to evolve less in the manner of the Galapagos finches (whose beaks adjusted over millennia to suit the berries of their individual island), and more in the manner of the Incredible Hulk. Incredible Hulk capitalism can expand the muscle of its credit so swiftly that its clothing of real world assets cannot stretch fast enough to contain it. Expansion, explosion, collapse—Incredible Hulk capitalism sprawls, stunned and shrunken again, in the rags of its assets.

Or, returning to our religious analogy, if capitalism was a religion, it would now be a delightfully demented pseudo-scientific cult. Incredible Hulk capitalism is to the capitalism of Adam Smith what Scientology is to the Christianity of Christ. Both modern high finance and Scientology use the language and tools of science to ends that are religious, not scientific. Both meet a need, a yearning which the old forms of religion and capitalism no longer meet. The need for a mysterious power greater than us, in which we can believe. It must be powerful—but it must also be mysterious. And mystery has been vanishing from the world ever faster, ever since Galileo.

We know what the stars are made of, and can compute their course through the heavens for the next 10,000 years. We can explain the storms and floods that were once evidence of the wrath of God. But as the advance of science has removed the divine mystery from much of life, the advance of free market capitalism has put it back. Only modern economics can now provide forces that we don’t understand. And we need that in our lives."

The whole thing is here, if you're interested.
 

The really rather terrifically wonderful Susie Maguire just sent me a nice picture of me sitting down in Dubrovnik. I won't explain what the heck I am doing, or why I appear to have a tinted monocle.

A chap needs to maintain an air of mystery.

My shoes are definitely the stars of this photo. They look like they're celebrating getting their own TV series.