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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Mon, 06 Feb 2012 04:49:56 GMT--><rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:rss="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:cc="http://web.resource.org/cc/"><rss:channel rdf:about="http://www.juliangough.com/journal/"><rss:title>Blog</rss:title><rss:link>http://www.juliangough.com/journal/</rss:link><rss:description></rss:description><dc:language>en-IE</dc:language><dc:date>2012-02-06T04:49:56Z</dc:date><admin:generatorAgent rdf:resource="http://www.squarespace.com/">Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</admin:generatorAgent><rss:items><rdf:Seq><rdf:li rdf:resource="http://www.juliangough.com/journal/2011/10/13/the-jude-in-london-not-the-booker-prize-flashmob-book-club.html"/><rdf:li rdf:resource="http://www.juliangough.com/journal/2011/8/13/help-save-civilization-by-reading-a-funny-book.html"/><rdf:li rdf:resource="http://www.juliangough.com/journal/2011/6/17/a-peak-at-jude-in-london.html"/><rdf:li rdf:resource="http://www.juliangough.com/journal/2011/6/17/jude-in-tate-modern-a-girl-a-gun-the-turner-prize.html"/><rdf:li rdf:resource="http://www.juliangough.com/journal/2011/4/29/a-guide-to-blurbs-what-they-are-why-they-sometimes-suck-and.html"/><rdf:li rdf:resource="http://www.juliangough.com/journal/2011/4/4/world-women-in-literature-day.html"/><rdf:li rdf:resource="http://www.juliangough.com/journal/2011/3/27/in-honour-of-the-moriarty-tribunal-report-guns-camels-iceber.html"/><rdf:li rdf:resource="http://www.juliangough.com/journal/2011/3/2/julian-in-america.html"/><rdf:li rdf:resource="http://www.juliangough.com/journal/2010/11/3/comedy-tragedy-and-radio-3.html"/><rdf:li rdf:resource="http://www.juliangough.com/journal/2010/9/23/free-sex-chocolate-in-a-church-in-dublin.html"/></rdf:Seq></rss:items></rss:channel><rss:item rdf:about="http://www.juliangough.com/journal/2011/10/13/the-jude-in-london-not-the-booker-prize-flashmob-book-club.html"><rss:title>The Jude in London, Not The Booker Prize, Flashmob Book Club</rss:title><rss:link>http://www.juliangough.com/journal/2011/10/13/the-jude-in-london-not-the-booker-prize-flashmob-book-club.html</rss:link><dc:creator>Julian Gough</dc:creator><dc:date>2011-10-13T07:01:04Z</dc:date><dc:subject>Blau Blau Blau Jude in London Jude: Level 2 Literature Not The Booker Prize Prizes The Internet something for the weekend tags are fun virtual flashmob book club</dc:subject><content:encoded><![CDATA[<p>OK, if you want something meaningful and life-changing to do this weekend (and who doesn't?), you can join this one-off, high-speed, hold-onto-your-hats, Jude in London/Not The Booker Prize, flashmob bookclub. Will the life you change be yours, or mine, or both? We won't know till Monday.</p>
<p>&nbsp;</p>
<p><span class="full-image-float-left ssNonEditable"><span><a href="http://www.oldstreetpublishing.co.uk/jude-in-london-free-edition.html" target="_blank"><img style="width: 300px;" src="http://www.juliangough.com/picture/topless%20david%20shrigley%20photo%20by%20malcolm.jpg?pictureId=11683472&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1318497707068" alt="" /></a></span><span class="thumbnail-caption" style="width: 300px;">A totally gratuitous topless shot of the author. Wearing a David Shrigley temporary tattoo. Long story.</span></span>Here's the deal: my publisher and I will let you <a title="The Trust Edition of Jude in London" href="http://www.oldstreetpublishing.co.uk/jude-in-london-free-edition.html" target="_blank">download my brand new book, for free, here</a>. (It's usually &pound;12.99 in trade paperback, or &pound;4.99 on Kindle). You read it over the weekend, throwing in comments and arguing with each other (and me) in the comments section below. And if you love the book - and only if you love it - you can vote for it to win the Guardian's (in)famous <a href="http://www.guardian.co.uk/books/series/not-the-booker-prize" target="_blank">Not The Booker Prize</a>, anytime before midnight London time, this Monday (17th of October, 2011).</p>
<p>&nbsp;</p>
<p>If you choose to vote for Jude in London to win the Not The Booker Prize, you'll need to <a href="http://www.guardian.co.uk/books/2011/oct/07/fiction" target="_blank">vote in the comments on this page</a>, and write <a href="http://www.guardian.co.uk/books/data/book/fiction/9781905847839/jude-in-london" target="_blank">a very short review here to prove you've read it</a>. Also, bear in mind there's several other excellent books on the shortlist for the prize (I'm thinking in particular of <a href="http://www.guardian.co.uk/books/data/book/literary-fiction/9781935554288/spurious" target="_blank">Spurious</a>, by Lars Iyer, and <a href="http://www.guardian.co.uk/books/data/book/fiction/9780956687609/king-crow" target="_blank">King Crow</a> by Michael Stewart), so feel free to check those out, or read and discuss them instead.</p>
<p>&nbsp;</p>
<p>And yes, when it's all over, you can pay as much (or as little) as you think the book was worth, directly to me &amp; my publisher Ben. (We'll split it equally between us.) But if you're really poor, forget it, the book is on me &amp; Ben. (I was on the dole for ten years, learning to write. I know what it's like to be too broke to join in the fun.)</p>
<p>&nbsp;</p>
<p>So, it's an experiment - we're going to try and assemble a virtual flashmob book club. If you have any friends who might be interested, tell them. And I'll see you in the comments section down below, later.</p>
<p>&nbsp;</p>
<p><span class="full-image-float-left ssNonEditable"><span><a href="http://www.oldstreetpublishing.co.uk/jude-in-london-free-edition.html" target="_blank"><img style="width: 200px;" src="http://www.juliangough.com/picture/9781905847839.jpg?pictureId=10824043&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1318497062727" alt="" /></a></span><span class="thumbnail-caption" style="width: 200px;">Just click to go to the download page for the Jude in London Trust Edition</span></span></p>
<p>Oh, if you're wondering will Jude in London be to your taste, here's some recent reviews from The <a href="http://www.irishtimes.com/newspaper/weekend/2011/0903/1224303395124.html">Guardian</a>, The <a href="http://www.irishtimes.com/newspaper/weekend/2011/0903/1224303395124.html">Irish Times</a>, and The <a href="http://www.thecadaverine.com/?p=4088">Cadaverine</a>.  (And if you want to go straight to the source and judge for yourself,  here's an instant extract you don't have to download, about goats and  financial bubbles: <a title="The Great Hargeisa Goat Bubble" href="../../the-great-hargeisa-goat-bubble/" target="_blank">The Great Hargeisa Goat Bubble</a>...)</p>
<p>&nbsp;</p>
<p>If you've any problems <a title="The Trust Edition of Jude in London" href="http://www.oldstreetpublishing.co.uk/jude-in-london-free-edition.html" target="_blank">downloading the book free from here</a>, just email me at JulianGoughsSecretEmailAddress@gmail.com, or tell me on Twitter (I'm <a title="Me on Twitter" href="http://twitter.com/#!/juliangough" target="_blank">@juliangough</a>), and I'll email you a copy directly.</p>
<p>&nbsp;</p>
<p>Have fun, be nice. Enjoy the weekend.</p>
<p>&nbsp;</p>
<p><em><strong>(EDIT: As soon as I posted this, and tweeted about it, the responses began - on Twitter. D'oh! I hadn't thought this through... So yes, we can talk about the book here; but also on Twitter (where I am @juliangough), using the hashtag #judeinlondon. I'll mosey back and forth. Talk soon...)</strong></em></p>]]></content:encoded></rss:item><rss:item rdf:about="http://www.juliangough.com/journal/2011/8/13/help-save-civilization-by-reading-a-funny-book.html"><rss:title>Help save civilization by reading a funny book</rss:title><rss:link>http://www.juliangough.com/journal/2011/8/13/help-save-civilization-by-reading-a-funny-book.html</rss:link><dc:creator>Julian Gough</dc:creator><dc:date>2011-08-13T07:02:36Z</dc:date><dc:subject>Blau Blau Blau Economics Jude in London Jude in London Jude: Level 2 Literature Not The Booker Prize Prizes Reviews The Internet Twitter Work hey kids let's revolutionise capitalism</dc:subject><content:encoded><![CDATA[<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">It's not every day you get a chance to help an award-winning </span><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">impoverished </span><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">author (er, that's me) solve a major dilemma, while simultaneously helping to humanise Capitalism, </span><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US"> revolutionise Publishing, </span><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">and save Civilization. But today is that day.</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">&nbsp;</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US"><span class="full-image-float-left ssNonEditable"><span><a href="http://www.amazon.co.uk/Jude-London-Julian-Gough/dp/1905847831/ref=sr_1_1?s=books&amp;ie=UTF8&amp;qid=1313219728&amp;sr=1-1" target="_blank"><img style="width: 250px;" src="http://www.juliangough.com/picture/9781905847839.jpg?pictureId=10824043&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1313220587824" alt="" /></a></span><span class="thumbnail-caption" style="width: 250px;">Jude in London - soon to be a major book</span></span>Here's the background (the dilemma will follow): my new novel, Jude in London, has just been longlisted for the Guardian's Not The Booker Prize. Now, The Not The Booker Prize is the most entertaining prize in the literary calendar; an annual online flame-war-slash-literary-debate that can be very helpful in drawing attention to unusual books. (The prize itself is a mug, worth about &pound;1.50. But the glory is incalculable!)</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">&nbsp;</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">BUT: For a long-listed novel to make the shortlist, readers have to nominate the book, and post a very short review on the Guardian website (to prove they've read it). <a title="Sam Jordison of The Guardian explains how it all works" href="http://www.guardian.co.uk/books/2011/aug/10/not-booker-prize-2011-vote" target="_blank">The process is explained in detail here.</a></span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">&nbsp;</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">Here's the dilemma: Jude in London is officially published on September 6th. But the shortlist votes (and reviews) have to be in by this coming Wednesday. As my novel isn't in the shops for another fortnight, I don't have any readers yet to nominate it.</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">&nbsp;</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">So, if any of you would like to read Jude in London, for free, I can send you a pdf of the entire finished book, nicely laid out and readable, today. And if you like it a lot, I'd be extremely pleased if you would post a 150 word review, and nominate it for the shortlist by Wednesday. You're under no pressure to review it or vote for it: only do that if you genuinely like it a lot and think it's worthy of going through to the next round.</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">&nbsp;</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">There you go. Anyone who wants a free pdf of Jude in London, just ask in the comments below, or on Twitter (I'm <a title="Old Street's new website" href="http://www.oldstreetpublishing.co.uk/" target="_blank">@juliangough</a>), or email me at juliangoughssecretemailaddress@gmail.com...</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">&nbsp;</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">Now, here's the bit where we revolutionise Capitalism. My beloved publisher Ben, who runs <a title="Old Street's new website" href="http://www.oldstreetpublishing.co.uk/" target="_blank">Old Street</a>, has conniptions at the thought of a professional-quality pdf of the entire book escaping into the wild before publication. Understandably so - he's sunk a lot of time and money into making a beautiful book out of Jude in London. But I think the future for peculiar writers like me has to be a kind of love-based mutant version of capitalism where you trust your readers, and in return your readers help to keep you alive. Because the free market isn't going to. Bear in mind, I've gone bust and been evicted while writing this book. I've wandered Europe homeless, relying on the kindness of friends (and the occasional stranger) to get it finished. So I, too, would like to see it, somehow, earn me enough to keep going and finish the next one.</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">&nbsp;</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">So here's the deal: I give you the book for free. You don't have to review it or nominate it. But if you really like the book, if you read all the way to the end and have a good time... I'd love you to buy a copy for a friend. Does that seem fair?</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">&nbsp;</span></p>
<p class="MsoNormal" style="line-height: 150%;"><span style="font-size: 14pt; font-family: Georgia;" lang="EN-US">And if you do like it, and buy a copy for a friend, tell me, and I'll tell my publisher, and maybe this trust-based model (where a book is always a present, and yet small publishers stay in business and weird writers get to eat) could take off.</span></p>]]></content:encoded></rss:item><rss:item rdf:about="http://www.juliangough.com/journal/2011/6/17/a-peak-at-jude-in-london.html"><rss:title>A peak at Jude in London</rss:title><rss:link>http://www.juliangough.com/journal/2011/6/17/a-peak-at-jude-in-london.html</rss:link><dc:creator>Julian Gough</dc:creator><dc:date>2011-06-17T13:30:42Z</dc:date><dc:subject>Typos Work</dc:subject><content:encoded><![CDATA[<p>See that headline? It contains a typo. A TYPO. In the HEADLINE. It should be "peek". But to get rid of the typo, I had to get rid of the entire blog post and start again. (No, don't tell me there's an easier way now, it's too late.) So <a title="The proper link, with everything spelled right." href="http://www.juliangough.com/journal/2011/6/17/jude-in-tate-modern-a-girl-a-gun-the-turner-prize.html">click on this and you'll be taken to a new post with no typo in the headline.</a></p>]]></content:encoded></rss:item><rss:item rdf:about="http://www.juliangough.com/journal/2011/6/17/jude-in-tate-modern-a-girl-a-gun-the-turner-prize.html"><rss:title>Jude in Tate Modern... A girl! A gun! The Turner Prize!</rss:title><rss:link>http://www.juliangough.com/journal/2011/6/17/jude-in-tate-modern-a-girl-a-gun-the-turner-prize.html</rss:link><dc:creator>Julian Gough</dc:creator><dc:date>2011-06-17T11:43:35Z</dc:date><dc:subject>Art Blau Blau Blau Damien Hirst Fashion Gareth McNamee Allen Jude in London Jude in London Jude: Level 2 London Marcel Duchamp Prizes Tate Modern Tracey Emin Turner Prize Work art neoconceptualism</dc:subject><content:encoded><![CDATA[<p>Here (hot from my inbox!) is a sneak preview of an illustration, and a  chapter, from <strong>Jude in London</strong> (due to be published in September). In the  picture, Jude is about to    find out if he has won the greatest prize in  art - the Turner of    Turners. The crowd lift him aloft... his former  lover, Babette, flips a    golden coin...</p>
<p>No, I won't tell you who is sneaking up behind him with a gun.</p>
<p>&nbsp;</p>
<p><span class="full-image-block ssNonEditable"><span><a href="http://www.amazon.co.uk/exec/obidos/ASIN/1905847246/wwwjuliangoug-21" target="_blank"><img src="http://www.juliangough.com/picture/final%20version%20king%20of%20the%20artists%20done.jpg?pictureId=10052588&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1308311470460" alt="" /></a></span><span class="thumbnail-caption" style="width: 632px;">For now, clicking on the picture takes you to the first book. Which is also excellent.</span></span></p>
<p>&nbsp;</p>
<p>And here's some free new book to go with the picture. This is from a little earlier on, before the prize ceremony... Enjoy...</p>
<p><em>(Oh, by the way, the artist, Gareth McNamee Allen, once did <a href="http://irishmusicdb.com/t/toastedheretic/songs4swinging.jpg" target="_blank">this fine homage to Tayto crisps</a> for my old band, <a title="Toasted Heretic on Wikipedia" href="http://en.wikipedia.org/wiki/Toasted_Heretic" target="_blank">Toasted Heretic</a>'s first album, <strong>Songs for Swinging   Celibates</strong>. There's more of his work <a title="Gareth's website" href="http://www.garethmcnameeallen.com/" target="_blank">on his website</a>. Top chap... OK, here we go...<em>&nbsp;</em>)</em></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span style="font-size: 130%;">From<strong> Jude in London</strong>...</span></p>
<p>&nbsp;</p>
<p><strong>CHAPTER 80</strong></p>
<p>I entered Tate Modern. The floor sloped away and down, beneath a high     walkway, and out into one enormous Room. I walked for a long time,     until I was in the centre of the Room, and looked around. I was     obviously very early, for the Art had not arrived yet. Certainly there     was more than enough blank space on the walls for it. It was a room   into   which you could have fitted Galway City&rsquo;s great Car Park of the    Roaches  itself. I had never seen the like. Its scale was inhuman. Yet    the Tate  Family evidently still lived here, and spent all their time  in   this  room, for their possessions lay all about me. At the far end  of   the  room, and proof I was in the right place, a stage stood before  a    backdrop of vast, dead television screens. Great lights, unlit as  yet,    hung above the stage from steel beams.</p>
<p>No doubt the Prize-Giving will take place upon that stage. Oh, I hope     they will not be too disappointed that I have neglected to create  any    Art &hellip;</p>
<p>Perhaps I could make up for my failure by helping to get the place     ready, before the other artists&rsquo; Art arrived. I looked all about me.</p>
<p>There was very little furniture in the room, and that in bad order.     The bed in the far left corner was in most need of attention, the   sheets   crumpled and filthy. The last party had obviously congregated   here,  for  on the bed, the rug, and the surrounding floor, were empty    cigarette  packets, stubbed butts, vodka bottles and general debris.</p>
<p><span class="full-image-block ssNonEditable"><span><a href="http://en.wikipedia.org/wiki/My_Bed" target="_blank"><img src="http://www.juliangough.com/picture/thebedofemin.jpg?pictureId=10085710&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1308311563820" alt="" /></a></span><span class="thumbnail-caption" style="width: 600px;">Ceci n'est pas un lit</span></span>It    was an easy matter to collect the rubbish, turn the mattress,  shake    out the sheets, plump the pillows, and remake the bed. This  ritual,    familiar to me from the Orphanage, soothed. I sang softly as I  worked.    Too soft a sound to rebound in echo from the bare walls.</p>
<p>The fish tank proved trickier than the bed. Enormous though the tank     was, the fish was far too big for it. I estimated the poor creature  at    thirty-five feet. Presumably, in the way of family pets, it had   simply   outgrown its accommodation. The older Tate children, who loved   it, had   themselves, I supposed, reached adolescence, and become too   busy to  care  for it: and the aging parents slowly forgot it, in its   forty foot  tank  in the far right corner. It appeared to have been dead   for  some  time. Bubbles of decomposition rocked it occasionally in  the   thickening  water, as they emerged from the decaying grey flesh.  The  top  of the  tank was sealed, which cannot have been healthy for  the  fish  while it  lived. Certainly, it made my task of emptying and   cleaning the  tank  more difficult than it needed to be.</p>
<p><span class="full-image-block ssNonEditable"><span><a href="http://en.wikipedia.org/wiki/The_Physical_Impossibility_of_Death_in_the_Mind_of_Someone_Living" target="_blank"><img src="http://www.juliangough.com/picture/thefishofmrhirst.jpg?pictureId=10085523&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1308311632348" alt="" /></a></span><span class="thumbnail-caption" style="width: 277px;">Ceci n'est pas un poisson</span></span>When    I was finally done with the fish tank, I examined the room in  more    detail. The place was in a shocking state. The closer I looked, the     more shocked I was. The very basics of child-rearing seemed to have     been neglected by the Tate parents. Neither the young Tate children nor     their many pets seemed to have been adequately toilet trained. There     were lumps of elephant dung everywhere. Some had even stuck to the     paintings, and dried there. It was a hell of a job to get it all off.</p>
<p>The children themselves seemed to go anywhere. I even found a bottle     of urine with a crucifix in it. Sighing, I retrieved our Lord Jesus  on    his cross, and hung him back up on a clean wall.</p>
<p>I began to clean the handprints and splashes of dried mud off the end wall.</p>
<p>As I worked, others quietly entered the enormous room. Some introduced themselves to me, and shook my hand.</p>
<p>&ldquo;Judges,&rdquo; they murmured.</p>
<p>&ldquo;Brian Eno,&rdquo;</p>
<p>&ldquo;Brian Sewell,&rdquo;</p>
<p>&ldquo;Brian Balfour-Oatts.&rdquo;</p>
<p>&ldquo;Fascinating piece.&rdquo;</p>
<p>&ldquo;Please, ignore us.&rdquo;</p>
<p>&ldquo;Carry on, carry on.&rdquo;</p>
<p>They crept into the shadows, murmuring.</p>
<p>&ldquo;And while dressed as a rabbit! Brilliant!&rdquo;</p>
<p>&ldquo;I thought Mark Wallinger&rsquo;s <em>Sleeper</em> couldn&rsquo;t be improved on, but by golly&hellip;&rdquo;</p>
<p>&ldquo;I beg to differ&hellip;&rdquo;</p>
<p>I finished cleaning the wall, and looked around. Still a great deal     of work to do, to get the place ready &hellip; Unbelievable that a family as     rich as the Tates lived in such squalor. Nothing seemed to work. I     decided to fix the fluorescent light, which had been flickering     erratically since I&rsquo;d arrived. I tracked the fault to a hidden timer     that someone had mistakenly set to turn the light on and off again every     minute or so. It was a simple matter to route the circuit around it.</p>
<p>Even their big, new, colour television seemed broken. I couldn&rsquo;t get     any sound out of it. It was showing a rather dull film, about a woman     trying to clean a shower. The pictures had gone very slow for some     reason, and were in black and white. The whole thing seemed banjaxed. I     switched it off.</p>
<p>Then I picked up some old firebricks, which had been left lying where     someone might trip. Gasps came from the shadows. Brian Sewell   clapped.</p>
<p>I put the firebricks in an old, water-damaged shed. Its overlapping     boards and weathered paint reminded me of the lakeboats of Lough Derg.  A    pleasing warm feeling rose in me.</p>
<p>Now to deal with the graffiti.</p>
<p>The older Tate children seemed to have thrown several parties     recently, without the benefit of parental supervision. Many of their     friends had scrawled their names, and worse, across all kinds of objects     and surfaces. I set to scrubbing. An illiterate fellow called Chris,     from County Offaly, seemed to be one of the worst offenders. I was  sad    to see a fellow Irishman letting the side down. <em>&ldquo;Ofili&rdquo;</em> indeed.</p>
<p>Tired, and in need of a break after removing the graffiti, I looked     for the toilet facilities. A urinal was mounted in the centre of the     room. It was mounted at a curious height, and on its back: but no  doubt    that was the modern way. Oh, more fecking graffiti&hellip; On its rim  someone    had scribbled their name, and the date or time of the party.  R. Mutt.    1917? 19.17? 7.17pm? I carefully scraped it off, before  urinating.</p>
<p>&nbsp;</p>
<p><span class="full-image-block ssNonEditable"><span><a href="http://en.wikipedia.org/wiki/Fountain_%28Duchamp%29" target="_blank"><img src="http://www.juliangough.com/picture/thefountainofmrduchamp.jpg?pictureId=10085520&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1308311713492" alt="" /></a></span><span class="thumbnail-caption" style="width: 362px;">Ceci n'est pas un urinoir</span></span></p>
<p>(There you go. Feel free to comment below, or <a title="The Great Hargeisa Goat Bubble, from Jude in London" href="http://www.juliangough.com/the-great-hargeisa-goat-bubble/" target="_blank">explore more of the book for free here</a>.)</p>
<p>﻿</p>
<p>﻿</p>
<p>﻿</p>]]></content:encoded></rss:item><rss:item rdf:about="http://www.juliangough.com/journal/2011/4/29/a-guide-to-blurbs-what-they-are-why-they-sometimes-suck-and.html"><rss:title>A Guide To Blurbs: What They Are, Why They Sometimes Suck, And How You Can Help Me Write A Better One.</rss:title><rss:link>http://www.juliangough.com/journal/2011/4/29/a-guide-to-blurbs-what-they-are-why-they-sometimes-suck-and.html</rss:link><dc:creator>Julian Gough</dc:creator><dc:date>2011-04-29T15:22:51Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p>OK, I did an experiment <a title="I like Twitter. A lot." href="https://twitter.com/#%21/juliangough" target="_blank">on Twitter</a> last week: I asked for feedback on the shoutline for my next novel.  (The shoutline is the sentence on the front of a book that - ideally &ndash;  is so intriguing, and so <em>right</em>, that the book&rsquo;s Ideal Readers pick it up.)</p>
<p>&nbsp;</p>
<p>The result was so interesting, and useful, that I've decided to throw  open the mysterious and arcane process of writing the blurb of the  book. The blurb is all the stuff on the back cover. It's usually written  by the editor, the author, or both. (Though some publishers, <a title="How to write a blurb, from the Penguin blog." href="http://thepenguinblog.typepad.com/the_penguin_blog/2007/02/penguin_writers.html" target="_blank">like Penguin</a>, employ professional copywriters.)</p>
<p>&nbsp;</p>
<p>Trouble is, the editor&rsquo;s an editor, not an author. And the author&hellip;  well, authors cannot describe their 100,000 word books in 100 words.  It&rsquo;s a natural law. Asking a novelist - who&rsquo;s just delivered a book - to  write their own blurb is like asking a marathon runner, as they stagger  over the finish line, to run a 100m sprint.</p>
<p>&nbsp;</p>
<p>And professional copywriters&hellip; they get it done, but where is the  love? Yes, some copywriters are superb. But others often don&rsquo;t even read  the book.</p>
<p>&nbsp;</p>
<p>Which is why blurbs - even on great books - often suck.</p>
<p>&nbsp;</p>
<p>So let&rsquo;s see if we can craft an unsucky blurb.</p>
<p>&nbsp;</p>
<p>I'll put the rough draft of the blurb here (actually, my eighth draft  &ndash; you really don&rsquo;t want to see the first). You can comment right below  it, or tell me what you think on Twitter (I'm <a href="https://twitter.com/#%21/juliangough" target="_blank">@juliangough</a>), or email me directly at my secret email address ( juliangoughssecretemailaddress@gmail.com ).</p>
<p>&nbsp;</p>
<p>I'd love to hear what you like, but also what you don't like, and  why. "I hate it" and &ldquo;I love it&rdquo; are both useful, but not as useful as  "I hate the way you give away the ending" / "I love any book containing  monkeys" / "When it mentioned he had two penises, I got interested."</p>
<p>&nbsp;</p>
<p>If you&rsquo;re feeling tremendously motivated (or the day stretches before  you, bleak, endless, like a glimpse into the abyss), you can read <a title="The Great Hargeisa Goat Bubble, a serious, comic story about financial bubbles and goats." href="http://www.juliangough.com/the-great-hargeisa-goat-bubble/" target="_blank">a short story adapted from the novel here</a>,  to get a feel for the tone I want. Remember, the blurb should  accurately reflect the book&hellip; we&rsquo;re not trying to lie to people here, or  seduce absolutely every customer in the shop. We just want to draw the  attention of the Ideal Readers for this particular, slightly unusual,  book.</p>
<p>&nbsp;</p>
<p>OK, here we go... I would really appreciate it if you would tweet  about this, or link to it, because the more people who comment  (ESPECIALLY people who don't know my work already), the more helpful and  useful this will be to me. Thanks!</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><em>((The shoutline &amp; blurb work with the cover image, which also gives you important information. So&hellip; ))<br /></em></p>
<p><em>&nbsp;</em></p>
<p><strong>The front cover:</strong></p>
<p><em>&nbsp;</em></p>
<p><em>((It&rsquo;s a photograph. Deep snow.&nbsp; In the distance, under a pale  blue sky, the tops of famous London buildings stick up out of the snow.  In the foreground, big, we see the back of someone&rsquo;s legs, standing in  the snow. Possibly wearing home-made rabbitskin trousers. The footprints  show he is walking towards London. Lying in the snow at his feet, a red  lipstick.))</em></p>
<p>&nbsp;</p>
<p>AUTHOR: Julian Gough</p>
<p>&nbsp;</p>
<p>TITLE: Jude in London</p>
<p>&nbsp;</p>
<p>SHOUTLINE: Here at last. Only the billionaires, the monkeys, and The Thing left to beat.</p>
<p><strong>&nbsp;</strong></p>
<p><strong>Back cover:</strong></p>
<p>&nbsp;</p>
<p>BLURB:</p>
<p>&nbsp;</p>
<p>A novel which does for the sleepy English town of London what The Simpsons did for Springfield.</p>
<p>&nbsp;</p>
<p><em>&ldquo;The Death of the Author is on your conscience!&rdquo;</em></p>
<p><em>It was. &ldquo;Sorry,&rdquo; I said.</em></p>
<p><em><br /></em></p>
<p>It&rsquo;s Jude&rsquo;s first day in London. The young orphan dines on roadkill,  wrestles a monkey, makes a porn film, wins the Turner Prize, battles The  Thing, visits brothels, and kills the Poet Laureate. He is shot at,  kidnapped, thrown overboard from a tycoon&rsquo;s yacht, and forced to discuss  literature in a pub of excessive Irishness. But can Jude find his True  Love, in the labyrinth of the city, with its countless temptations?</p>
<p>&nbsp;</p>
<p><em>&ldquo;The biro fell from my hand. </em></p>
<p><em>I felt even more light-headed than usual. I looked down. </em></p>
<p><em>Alice removed her jane smiley from my philip k dick. She had given  me an updike with the durability and tensile strength of mahogany.&rdquo;</em></p>
<p>&nbsp;</p>
<p>Yes, love's a puzzler&hellip;</p>
<p>&nbsp;</p>
<p>Jude in London is a comic epic for anyone who loves Roddy Doyle, PG  Wodehouse, Samuel Beckett and Kafka, but wishes their books had more  explosions.</p>
<p>&nbsp;</p>
<p><em>What a day! And I had never got my cup of tea.</em></p>
<p>&nbsp;</p>
<p><em>((This next bit should be beside the barcode, like a May Contain  Gluten warning. The word WARNING should be readable, and perhaps in red,  but the rest should be so incredibly small they&rsquo;re hard to read.))</em></p>
<p>WARNING: This novel was produced in a writing environment that also  processes pop songs, computer games, and comics. May contain traces of  the 21st century.</p>
<p>&nbsp;</p>
<p><strong>Inside front cover:</strong></p>
<p>&nbsp;</p>
<p>"Julian Gough is not a novelist" - the New York Times.</p>
<p>&nbsp;</p>
<p>"Julian Gough is a wonderful writer" - Sebastian Barry</p>
<p>&nbsp;</p>
<p>"Julian Gough&rsquo;s notion that shouting the word 'feck' and being  grossly scatological will make him seem echt Irish only harms his  argument." - John Banville</p>
<p>&nbsp;</p>
<p>"The ultimate Irish joke. Sheer comic brilliance." - The Times.</p>
<p>&nbsp;</p>
<p>Jude in London is the second volume in the Jude trilogy. (Though it  works brilliantly on its own.) The cult radio play, The Great Hargeisa  Goat Bubble, is adapted from it.</p>
<p>The prologue to the trilogy (&ldquo;The Orphan and the Mob&rdquo;) won the  biggest prize in the world for a single short story - the BBC National  Short Story Award &ndash; and represented Ireland in the Dalkey Archive  anthology Best European Fiction 2010.</p>
<p>Volume one of the trilogy (Jude in Ireland) was shortlisted for the  PG Wodehouse Prize for comic fiction. In 2010, it was named by the  Sunday Tribune as Irish Novel of the Decade.</p>
<p><strong>&nbsp;</strong></p>
<p><strong>Inside back cover:</strong></p>
<p>&nbsp;</p>
<p>A PHOTO OF MY HEAD. Not this one.</p>
<p><span class="ssNonEditable full-image-block"><a href="http://www.amazon.co.uk/Julian-Gough/e/B001HPIHBG/ref=ntt_athr_dp_pel_pop_1" target="_blank"><img src="../../picture/photo%20828.jpg?pictureId=9533888&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1304089379597" alt="" /></a><span class="thumbnail-caption" style="width: 632px;">This  is what an author looks like immediately after delivering a novel. Does  he look in any fit state to write a blurb? Clearly, this man needs  help.</span></span></p>
<p>&nbsp;</p>
<p>A BIO:</p>
<p>&nbsp;</p>
<p>Julian Gough was born in London, grew up in Ireland, and now lives in  Berlin. In his youth, he sang with underground literary pop band  Toasted Heretic. They released four albums, and had a top ten hit with  the single <strong>"Galway and Los Angeles"</strong>, a song about not kissing Sinead O'Connor.</p>
<p>He is the author of the novels <strong>Juno &amp; Juliet</strong>, <strong>Jude in Ireland, </strong>and<strong> Jude in London</strong>. His collected poems and lyrics, <strong>Free Sex Chocolate</strong>, were published by Salmon in 2010.<strong>&nbsp;</strong></p>
<p>He is probably best known for stealing Will Self&rsquo;s pig.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>More quotes saying how great I am / how I&rsquo;m a threat to Western civilization.</p>
<p>&nbsp;</p>
<p>OK, and finally (but quite importantly); we came up with two  different versions of the shoutline on Twitter. I&rsquo;d love if you&rsquo;d vote  for your favourite. Just say either 1 or 2, anywhere in your  comment/tweet/email, I&rsquo;ll know what you mean&hellip;</p>
<p>&nbsp;</p>
<p><strong>1&nbsp; Here at last. Now only the billionaires, the monkeys, and The Thing left to beat.</strong></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>2&nbsp; Getting here nearly killed him. Now he must fight gravity, billionaires, monkeys, and The Thing, to win his True Love.</strong></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>And that&rsquo;s it! Tell me what you think, below, or on Twitter, or by email.</p>
<p>&nbsp;</p>
<p>Oh, and when this is all over, I&rsquo;ll send a signed, finished copy of  Jude in London to the person who made my favourite suggestion.</p>
<p>&nbsp;</p>
<p>(SMALL PRINT:<span style="font-size: 80%;"> Judging will be cruel, arbitrary, unfair, and I&rsquo;ll probably give it to  someone who makes me laugh and doesn&rsquo;t even make a sensible suggestion.  No need to worry about your address now, I&rsquo;ll ask you for it when you  win.</span>)</p>
<p>&nbsp;</p>
<p>Thanks again in advance&hellip;</p>
<p>﻿</p>
<p>﻿</p>]]></content:encoded></rss:item><rss:item rdf:about="http://www.juliangough.com/journal/2011/4/4/world-women-in-literature-day.html"><rss:title>World Women in Literature Day</rss:title><rss:link>http://www.juliangough.com/journal/2011/4/4/world-women-in-literature-day.html</rss:link><dc:creator>Julian Gough</dc:creator><dc:date>2011-04-04T20:58:07Z</dc:date><dc:subject>A Visit From the Goon Squad America Art Blau Blau Blau Books of the Year David Foster Wallace Fashion Freedom Jennifer Egan Jonathan Franzen Literature No comment Philip Roth Politics Prizes Pulitzer Prize The Pale King Women you can have too much of a good thing you know</dc:subject><content:encoded><![CDATA[<p><span class="full-image-block ssNonEditable"><span><a href="http://jezebel.com/#!5781688/jonathan-franzen-loses-book-award-to-some-lady" target="_blank"><img src="http://www.juliangough.com/picture/mr.%20jonathan%20franzen.jpg?pictureId=9400926&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1303225478267" alt="" /></a></span><span class="thumbnail-caption" style="width: 404px;">Mr. Jonathan Franzen, author of the acclaimed novel, Freedom, was unable to attend the launch of World Women in Literarature Day.</span></span></p>
<p>&nbsp;<span class="Apple-style-span" style="font-family: Georgia,sans-serif; font-size: 19px; white-space: pre-wrap;">BREAKING NEWS: Jonathan Franzen, author of the acclaimed novel <em>Freedom</em>, was unable to attend the launch of World Women in Literature Day. </span></p>
<p>&nbsp;</p>
<p><span class="Apple-style-span" style="font-family: Georgia,sans-serif; font-size: 19px; white-space: pre-wrap;"><span class="full-image-float-left ssNonEditable"><span><a href="http://wordswithoutborders.org/article/should-americans-read-more-literature-in-translation/" target="_blank"><img src="http://www.juliangough.com/picture/philip%20roth%20and%20the%20president%20of%20america.jpg?pictureId=9407487&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1303212508017" alt="" /></a></span><span class="thumbnail-caption" style="width: 300px;">Philip Roth and the President of America discuss World Women in Literature Day</span></span></span></p>
<p><span class="Apple-style-span" style="font-family: Georgia,sans-serif; font-size: 19px; white-space: pre-wrap;">Philip Roth, author of the great American novels,<em> The Great American Novel, American Pastoral, </em>and<em> The Plot Against America</em>, said last night "It is a tragedy for world literature that Jonathan Franzen was unable to attend."</span><span class="Apple-style-span" style="font-family: Georgia,sans-serif; font-size: 19px; white-space: pre-wrap;"><br /></span></p>
<p>&nbsp;</p>
<p><span class="Apple-style-span" style="font-family: Georgia,sans-serif; font-size: 19px; white-space: pre-wrap;">Women's literature is currently making a big splash in America. News that a woman had won the recent Pulizer prize for fiction was covered by the New York Times, who devoted a full line to it in their initial announcement. In a break with tradition, they even spelt her name correctly in some later editions of the paper (<a href="http://www.nytimes.com/2011/04/19/business/media/2011-pulitzer-prize-winners-announced.html?ref=media" target="_blank">see correction below the article</a>).</span></p>
<p>&nbsp;</p>
<p><span class="Apple-style-span" style="font-family: Georgia,sans-serif; font-size: 19px; white-space: pre-wrap;"><span class="full-image-float-left ssNonEditable"><span><a href="http://www.smh.com.au/opinion/society-and-culture/womens-writing--fights-for-attention-20110401-1cpjg.html" target="_blank"><img src="http://www.juliangough.com/picture/david%20foster%20wallace%20courtesy%20esquire%20and%20the%20collective%20unconscious.jpg?pictureId=9407488&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1303212616946" alt="" /></a></span><span class="thumbnail-caption" style="width: 300px;">David Foster Wallace celebrates World Women in Literature Day. Image courtesy Esquire and the collective unconscious.</span></span>And the publishing world has been swept by rumours that several female Nobel Prize winning authors from unfashionable countries may be briefly reviewed in two, or even three, American news outlets next year, so long as David Foster Wallace (author of the wildly acclaimed first half of a novel,<em> The Pale King</em>), doesn't release a collection of unfinished short stories, or a facsimile of a notebook. </span></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><span class="Apple-style-span" style="font-family: Georgia,sans-serif; font-size: 19px; white-space: pre-wrap;">A spokesman for the American Press Association said last night: "Your mouth is moving but I can't hear you, I think because your voice is so high."</span></p>
<p><span class="Apple-style-span" style="font-family: Georgia,sans-serif; font-size: 19px; white-space: pre-wrap;"><br /><br /><em> Please click on the three photographs for further information on this story. </em></span></p>]]></content:encoded></rss:item><rss:item rdf:about="http://www.juliangough.com/journal/2011/3/27/in-honour-of-the-moriarty-tribunal-report-guns-camels-iceber.html"><rss:title>In Honour of the Moriarty Tribunal Report: guns, camels, icebergs, and brown envelopes.</rss:title><rss:link>http://www.juliangough.com/journal/2011/3/27/in-honour-of-the-moriarty-tribunal-report-guns-camels-iceber.html</rss:link><dc:creator>Julian Gough</dc:creator><dc:date>2011-03-27T20:41:47Z</dc:date><dc:subject>Ben Dunne Charles J. Haughey Ireland Johnny Massacre Jude: Level 1 Literature Moriarty Tribunal Politics</dc:subject><content:encoded><![CDATA[<p><span class="full-image-float-left ssNonEditable"><span><a href="Charles J. Haughey, counting the nation's blessings"><img src="http://www.juliangough.com/picture/charlie_haugheyfingers.jpg?pictureId=9146060&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1301264299743" alt="" /></a></span></span>In honour of the recently published (2,400 page) <a href="http://www.thejournal.ie/tribunal-labels-lowry-an-insidious-and-pervasive-influence-on-esat-bidding-process-2011-03/" target="_blank">Moriarty Tribunal report</a>, I thought I'd post 20 pages from my last novel, <strong><a title="The ideal Christmas present for that particularly difficult friend." href="http://www.amazon.co.uk/exec/obidos/ASIN/1905847246/wwwjuliangoug-21" target="_blank">Jude: Level 1</a></strong>. In these chapters, (spoiler alert!) Jude is shot at by Charles J. Haughey,<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> "heroic leader of the Fianna F&aacute;il Party, former Taoiseach, Celtic  Chieftain of all the Gaels, gun-runner, phone-tapper, tax-dodger, cute  hoor and Saviour of Ireland." He also accidentally kills Dan Bunne, "Supermarket Magnate, and one of the great Political Donors of our Age". And he ends up in a Mexican stand-off with the man who made him homeless, Jimmy "Bungle" O'Bliss, "Ireland's greatest property developer"...</p>
<p>No similarity to any person either living or dead                is intended or should be inferred. Especially to Charles J. Haughey, Ben Dunne, or, most of all</p>
<p><em>((Julian's lawyer wrenches Julian's hands off the keyboard at this point.))</em></p>
<p>&nbsp;</p>
<p><strong>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; CHAPTER TWENTY SIX</strong></p>
<p>&nbsp;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I determined to leave the hospital immediately, and have no more to do with women. My clothes having been destroyed, the hospital authorities issued me a pinstripe suit, from the stock of charitable clothing out of which they habitually re-clothed injured street drinkers before their discharge. The lady Doctor attempted to persuade me to stay for a week's further treatment, to stabilise my erectile nose, but I could not bear to stay another hour. When she realised there was no changing my mind, she left me, to return some minutes later with a brown paper bag.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Silently she gave me the eloquent gift of sandwiches, and left the ward without turning back.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I paused only to say good-b<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>ye to Miguel de Navarra, my Mexican neighbour. He looked up from the Galway Advertiser and shook my right hand sorrowfully with his right hand.<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"><br /></ins></p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "This Banana," he said, waving the Illustrative Fruit with his left, "Is a weapon of Oppression."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I nodded. "Can I have it, so?" I said.</p>
<p>&nbsp;</p>
<p>I left the hospital with only a brown paper bag full of sandwiches, a banana, and a broken heart.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; During the long morphine dream of my stay in hospital, Galway had changed. Most of its buildings had been knocked and replaced with buildings one storey <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>taller. Many of these new buildings were now, in their turn, being replaced with buildings two storeys taller again. I grew confused and lost among the taller storeys and the construction's confusions. All about me as I walked I heard talk of Shares and Options, of New Technologies, Investment Properties, and Easy Money. Galway seemed to be accelerating into the<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> new millennium in an explosion of optimism and cement dust. Fellow teenagers passed me in Mercedes-Benz cars, often several times, trying in vain to find a place to park. <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins></p>
<p><ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A shoe-shine boy offered me a share tip as I passed Griffins' Bakery, and the street entertainer, Johnny Massacre, was now swallowing swords of gold.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I finally found Saint Nicholas's Church, my beloved home. I was surprised to see the entire Church of Ireland population of Galway outside it, weeping and wailing in the shelter of a golf umbrella. Far above them, a fat man atop a high ladder was nailing a "SOLD" sign to the Bell Tower.<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> The fat man turned to address the crowd. His lower face was covered by a scarf.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Feck off,&rdquo; he told them. &ldquo;It's mine now.&rdquo;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Who is that masked man?" I enquired.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "'Tis Jimmy O' Bliss," sobbed the pensioner holding the umbrella.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I reeled. Jimmy &ldquo;Bungle&rdquo; O'Bliss was Ireland's greatest living Property Developer. No deal of his had ever fallen through. His fame had spread even to Tipperary, where he had bought the abattoir and converted it into luxury eco-friendly apartments, using only paint and plywood. This was the crack of doom for Saint Nick's.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; O'Bliss descended, the better to address the pensioners.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Ye selfish bastards! Don't ye care about Galway's homeless?" He wiped a tear from his eye with a silken 'kerchief. "All those young, unmarried management consultants, without a roof over their heads? Dear God, you people have hearts of stone."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "But 'tis our Church," quavered a pensioner.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Pah! I bought it fair and square, at auction, for a grand."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Auction?"</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Look, it's not my fault if somebody forgot to put a reserve on the property. Next thing you'll be telling me it's my fault that the other bidder came down with the flu and broke both his arms."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "The flu doesn't break your arms."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "This flu does."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "But where will we worship? Wed? Baptise?"</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Amn't I providing you with a Portakabin out near Menlo, for the love of God? What more can I do? Do ye want to ruin me, with your religious shenanigans? Have ye any idea what it'll cost me to replace this knackered wreck with decent townhouses, with ground-level Retail Premises? If I hadn&rsquo;t got an offshore client for all these old stones, I&rsquo;d hardly bother."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "But... what of my Bell Tower, my Home?" I burst out.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Oh the Bell Tower stays."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I breathed a sigh of relief.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; He nodded. "We're enhancing it into a twelve-storey, Swedish, state-of-the-art, automated vehicle-storage tower facility."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "So I can continue living there, then?" I said, in happy confusion.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Jimmy O'Bliss winked at me.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I relaxed.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "No," he said. "It's a fecking carpark, you big gom."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Having lost my Job, <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>my Good Looks and <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>my True Love in swift succession, I had come Home to find that I had<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> also lost my Home. My sandwiches slipped from my fingers to land in the mud, my legs trembled and gave way, and I fell to my knees in the muck and rain...</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p><strong>CHAPTER TWENTY SEVEN&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; </strong></p>
<p>&nbsp;</p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.juliangough.com/picture/money-envelope.jpg?pictureId=9146406&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1301266492946" alt="" /></span></span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The National Anthem rang out in thin, high, single notes from the inside pocket of the lumpy navy jacket of Jimmy "Bungle" O'Bliss.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; As I knelt, in my devastation, in a puddle, Jimmy O'Bliss high-stepped over me. Pulling a small telephone from his inside pocket, he dislodged a bulging Brown Envelope<ins datetime="2007-02-15T12:49" cite="mailto:Office%202004%20Test%20Drive%20User"></ins>. It splashed into the puddle in front of me.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A strangely familiar voice came tinny from the tiny telephone, its tone a question.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "I got it, Big Man," <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>replied Jimmy shortly. &ldquo;Deal's done and dusted." He poked at the little machine, and<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> slid it back into the empty inside pocket.</p>
<p>He stopped. Withdrew his hand. Slapped the pocket.</p>
<p>He stared all <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>around, then down at the ground. With a start and a grunt, he glared at me, then scooped the soaking brown envelope from the muck and thrust it, mud and all, back into his inside pocket.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "You saw nutting," he said, and walked rapidly away.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Wet-kneed, I pulled a disconsolate sandwich from its damp brown wrapper.</p>
<p>My initial bite met with unexpected resistance. I could not recall a tougher crust. I removed it from my mouth to have a look at it. It was green. It had an elastic band around it. I looked at the wet brown paper bag I had taken it out of. It wasn't a bag.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A curious hush had fallen over the crowd. "'Tis the legendary Brown Envelope," whispered one ancient.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I looked back at my sandwich. It wasn't a sandwich.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I gave pursuit.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Sir!" I cried as I ran.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; He did not appear to hear me over the noise of construction. I almost caught up with him on High Street, but the demolition of Sonny Molloy&rsquo;s shop sent a cloud of dust billowing.</p>
<p>Jimmy O&rsquo;Bliss vanished.</p>
<p><ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>By the time the rain had damped the dust down<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>, he was gone.</p>
<p>There! At the far end of Quay Street.</p>
<p><ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>But when I got there, he had crossed to the Spanish Arch, where a helicopter sat, in the lashing rain, on Buckfast Plaza. Above it was a blur of whirling blades which blew the surface water off the Plaza in a great circle about it, so that it rained sideways, as well as from above, on the young men nearby as they leaped <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>a limestone bench on their rollerskatingboards.</p>
<p>It rained sideways, too, on the woman in black who fed the white Corrib swans that had gathered below her on the river.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The woman in black turned, to stare at me. I took a step towards her. The swans began to swim obliquely away, across the Corrib, towards the Claddagh Basin and its rich sewage outfalls.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Her eyes, now, were all I could see; her body, her face, her head wrapped tightly in black as she stood in the horizontal and vertical rain.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; There was something unusual about her eyes&hellip;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; This woman, I thought, could mean something to me. This woman of whom I know nothing, could tangle her destiny with mine. I merely have to take another step<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller">,</ins> and speak, and the threads of our destiny cross, and who knows where it will end? Together on some tropical island? In wild flight? In love? In madness?</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; She stared into my eyes. I shuddered with possibilities. On the blankness of her canvas I painted future after future.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; In the distance, the white birds moved, slowly.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; She turned, and walked away, over the bridge to the Claddagh, following them obliquely in her vertical rain.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Behind me the helicopter&rsquo;s blades sped up. I turned away from her, to face my horizontal rain.</p>
<p>The helicopter was marked with familiar bold greens. Celtic Helicopters, I thought. The company owned by the family of the much-loved Charles J. Haughey<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller">,</ins> heroic leader of the Fianna F&aacute;il Party, former Taoiseach, Celtic Chieftain of all the Gaels, gun-runner, phone-tapper, tax-dodger, cute hoor and Saviour of Ireland.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Jimmy O'Bliss leaped aboard, and the helicopter whined and rose immediately.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; As I <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>reached it, it was already above my head. Eager both to return the poor man's envelope with its huge wad of banknotes, and to regain my sandwiches, I bounded up onto the limestone bench, scattering the rollerskatingboarders, and leaped high, grabbing with my free hand one of the two fat rails or skis on which it had previously been resting.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I began to regret my rash impulse when <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>the helicopter lurched, turned and began to head out across the water.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The mouth of the river opened into the sea.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The helicopter swung low above the rain<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>-swept wave crests. My weight seemed to tug it lower by the second. My hand began to slip. With my other hand, I crammed the Brown Envelope down alongside the banana in the inside pocket of my pinstripe jacket. Then, with both hands<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>, I hung on. <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins></p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dear God, was this the end of me?</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Slowly, surely, my strength faded...</p>
<p>As we approached the Aran Islands I made out the black bulk of Inis M&oacute;r, then Inis Me&aacute;in, then Inis &Oacute;irr... Far<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> below me I saw the rusting hulk of an enormous cargo vessel, hurled by storm up the beach and into the rocky fields, long before I was born.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Then we were above the sea again, and into a thick wall of offshore mist. <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>There was no sea and no sky and I had the curious illusion that, were I to let go of the helicopter, I would simply hang where I was, suspended, cushioned on all sides by the cotton wool mist, as the helicopter laboured away from me and vanished.</p>
<p>Cushioned, suspended, no effort, no noise...</p>
<p><ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>My weary fingers began to relax their hold. No! I fought this treacherous vision of comfort, and with numb hands hauled myself higher on the ski, and slung a leg up onto it, and managed, at length, with difficulty, one-handed, to button my jacket around the ski so that my weight was half-supported by my jacket, in which I now hung as in a sling. My aching hands could relax a little.</p>
<p>Then, from out of the mist, loomed the terrible and wonderful shape of the fourth Aran Island.</p>
<p>Hy Brasil&hellip;</p>
<p>Yet it did not look right. Its bleak profile should have been familiar from old photographs in the Lifestyle Supplements, back when our Chieftain still gave interviews, before disgrace and self<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>-imposed exile. But no, the familiar dark bulk was half-eclipsed by a great white mountain thrusting out of the water, hard against the island. White fog condensed and rolled off its sides, to form an enormous ring about the white mountain.</p>
<p>The white peak itself, to my exhausted, wind-wracked eyes, seemed to resemble a giant Nose rising from a submerged Face<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>. There were two dark ovals near its peak resembling nostrils<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> . Yes, a Nose sticking up out of the waves<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller">.</ins> But this, I realised, must be a Neurotic Delusion, caused by the traumatic mutilation of my own nose. I felt delighted at my sophistication. To have acquired my very own Neurosis after so short a time in the Big City! <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>Or, I mused, perhaps I was Hallucinating: an even more sophisticated Metropolitan response to reality, and one conferring great status back at the Orphanage. Thady Donnelly had not been right for a week after doing mushrooms on his way to the 1996 All-Ireland hurling semi-finals in Thurles, and the younger orphans had followed him around the Orphanage Grounds, beseeching him to speak of his Visions, till he finally Came Down on the following Friday&hellip;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; We approached the white peak which masked the dark island. The helicopter flew low over it, and a powerful downdraft sucked us lower still, so that we staggered from the sky to within a few metres of the White Mountain. Even above the Roar of Blades and Engine, I heard Jimmy "Bungle" O'Bliss and the pilot exclaim to their Maker.<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins></p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The lurching recovery of the helicopter, as it shot back up to a decent height, was good news for the occupants of the helicopter, though of slightly less benefit to me. My numb fingers had been shaken loose by the sudden fall, and all the buttons on my Charity Suit now gave way under the tug of the sudden rise.</p>
<p>For a moment I hung suspended, as the ski-tip caught in my inside jacket pocket... But <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>the pocket ripped.<strong>&nbsp;</strong></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h3>CHAPTER TWENTY EIGHT</h3>
<h3>&nbsp;</h3>
<h3>I fell thrice my height, to strike the White Mountain a glancing blow with my Arse.</h3>
<p>The entire mountain rang like a bell, with a hollow, crystal-clear chime. I skidded, bounced, skidded and began to pick up speed as the sloping shoulder of the mountain dropped away beneath me. My sliding descent through the Arctic air grew pleasing to me, and I began to control my course by movements of the shoulders and hips.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Bruised but exhilarated, I hurtled off the last ledge of the iceberg and crashed down to the shingly beach, which was knee-deep in a cushioning layer of&nbsp;&nbsp;<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>slush and fallen ice.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I looked about me, as I brushed the slush from my pinstripe suit. The iceberg almost filled the tiny natural harbour of Hy Brasil.</p>
<p>I turned my back on harbour, iceberg, Aran Islands and Ireland, and walked inland.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The shingly beach became, by imperceptible degrees, stony fields. There were<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> signs of construction work<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>: rough stone channels cut into the unique black limestone of the island and away across the desolate fields.</p>
<p>I looked back, and from this slight elevation could see that the towering mountain of ice was no longer a free-floating berg, but had been pushed or hauled or driven ashore, and up the gently sloping offshore sheet of basalt which surrounded the island.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Why, he is irrigating the fourth Aran Island in the time-honoured way of the nomadic desert peoples of Arabia, I realised. He has towed an iceberg here from the poles. My respect for the genius of Charles J. Haughey grew greater still. Was this not a potent Metaphor for his benign stewardship of Ireland herself? Had he not inherited a desolate island, parched of self-belief, and remade her into an Earthly Paradise flowing with, awash with, drowning in...</p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.juliangough.com/picture/camel_racing.jpg?pictureId=9146285&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1301266067570" alt="" /></span></span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I was distracted from my Metaphor by a distant whinnying. Charles J. Haughey's famous string of racing camels! A generous gift to the then-Taoiseach from an Arabian admirer in the 1970s, all Ireland knew their fame. These beautiful beasts reputedly ran wild upon Hy Brasil. Further away again, I heard a curious cracking or crackling noise. It echoed back off the vast North Face of the towering iceberg and mingled with the whinnying, confusing my senses so that I could not make out the direction from which it came.<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> I resolved to head further inland, for it was my vague recollection from the half-remembered Sunday colour supplements that Charles J. Haughey&rsquo;s palatial retirement home was on the far side of the island from the harbour, facing only the bleak Atlantic waves, so that the great man would not have to look upon the Ireland that betrayed him.<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins></p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I headed directly across the black limestone island, featureless except for the dry stone walls around the dry stone fields and the occasional shallow labourer's grave, cut with a Kango hammer into the raw stone. Here and there, a white arm bone protruded.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The going was extremely difficult, as I scrambled down and up the steep rocky gullies in whose shelter grew ferns and mosses and orchids.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I was breathing heavily when the Salmon unexpectedly leapt in my rear pocket. I hauled it out, and received its Wisdom.</p>
<p>&nbsp;</p>
<p>An oblique walk across an area of open crag is a continuous struggle with little cliffs and ridges and gullies, with no two successive steps on the same level, whereas if one follows the direction of the jointing, smooth flagged paths seem to unroll like carpets before one.</p>
<p><em>-Tim Robinson, English writer of Irish sympathy, </em>Stones of Aran: Labyrinth,<em> 1995</em></p>
<p>&nbsp;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Walking with the grain of the landscape, I made far better time.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A thrill of delight ran through my chilled body at the thought that I might soon lay eyes upon the Great Banqueting Hall of our deposed Chief,<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> and that I might be invited to partake in his fabled hospitality.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; As I crested the windswept hill I saw, sheltering behind a tall boulder from the wind, the noble profile and imposing brow, the long, sweeping eyelashes and strong jaw, of a racing camel. It turned and gazed with its warm, liquid eyes into my eyes.</p>
<p>"Hullo Camel," I said to it.</p>
<p>It whinnied. There was a crack, another crack, and the noble beast slumped to its knees as though shot.</p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.juliangough.com/picture/ben_dunne_boxing_gloves.jpg?pictureId=9146094&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1301264627240" alt="" /></span></span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; From the doorway of his palatial retirement mausoleum, former Taoiseach Charles J. Haughey, the smoke curling from the barrel of his rifle, trotted with dainty tread down the broad granite steps and across the gravel. He was followed by the masked figure of Jimmy O'Bliss, and by Dan Bunne, the Supermarket Magnate and one of the great Political Donors of our Age. Our greatest living Retailer, our greatest living Developer and our greatest living Politician! We would have been naked, homeless and ideologically incoherent without them. They had given us so much, no wonder they looked so Wrecked.<strong> </strong></p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Great shot, Big Man, great shot, head shot, hard shot, great shot," said Dan Bunne, his voice somewhat muffled by his constant chewing on a piece of gum.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Shut your hole, Bunne, <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>you fucking spastic mong," said Charles J, "You're giving me a fucking headache."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The camel, its eyes now glazed and untenanted, toppled slowly sideways. Charles walked up to the dying beast and, carefully aiming behind its ear, fired a final shot into its brain. The camel&rsquo;s flanks subsided as its last breath shuddered from its throat, rattling its relaxing tongue out of the way in a staccato spray of spittle.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; It was not how I had imagined meeting my hero, Charles J. Haughey, but one cannot entirely control one&rsquo;s destiny. I stepped forward and reached for my inside pocket, intending to return the brown envelope full of money to its rightful owner, Jimmy O'Bliss. I cleared my throat.</p>
<p>The three Giants of Old Ireland failed to notice me, Dan Bunne being distracted by a lock of his own matted hair, and the others being distracted by Dan Bunne. The lock of Dan Bunne&rsquo;s hair swung in the breeze, slightly to the right of his right eye. Unable to see it clearly by turning his eyes, he was turning his head.</p>
<p>The hair, being part of his head, turned an equal amount.</p>
<p>He swung around on his heel in an attempt to take the lock of hair by surprise. It remained slightly to the right of his field of vision. He began to pirouette, then reversed direction<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller">. </ins></p>
<p><ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>He fell over. Charles J. Haughey sighed.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; My fingers, still numb with the cold and locked in a clawlike grip from my helicopter ride, fumbled in my torn jacket pocket for the envelope and grabbed the banana instead, which had become stuck in the lining.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Shite," I said.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Charles Haughey and Jimmy spun around and saw me for the first time. Dan looked up, blinking and chewing.</p>
<p>Charles Haughey stared at me with the most bloodshot eyes I had ever seen, until I looked down at Dan Bunne's. Their shirts were delightful.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I was pleased that I looked so natty in my pinstriped suit. The bulge of the stuck banana, though, was ruining the cut of my jacket. I tried to jerk it free.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &ldquo;Drop the gun,&rdquo; said Charles Haughey.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &ldquo;Gun?&rdquo; I said, bewildered, and gave another tug on my banana.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &ldquo;Don&rsquo;t play the innocent with me,<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller">"</ins> said the former Taoiseach. "Freeze."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "I'm already frozen."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Shut it, funnyman," said Charles J. Haughey.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "He's after the fifty grand," said Jimmy O'Bliss. "I know that fecker from earlier, at Saint Nick's. Oldest trick in the book, kneeling, trying to trip me. He must have followed me in another chopper."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Which reminds me," said Charles Haughey. "Give me that money for safekeeping while I think what to do with our Mafia chum here."</p>
<p>I began to realise that they had grasped entirely the wrong end of the metaphorical stick.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Jimmy reached into his pocket and brought out a sodden brown paper package. "It fell in a puddle boss, sorry," he said.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Charles J. Haughey grunted and, without taking his eyes off me, ripped open the brown paper with his teeth.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; He glanced down at what he held.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "What. The fuck. Is this."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; He looked upon my cold toast and chocolate spread sandwiches with a wild surmise. He looked up at me, then across at Jimmy. His eyes grew more bloodshot on the instant, as though a small blood vessel had burst.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "My God. He takes my money and he comes back for more." He looked me up and down with an expression that bore a most curious resemblance to respect.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "I can explain," I said.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Or die trying.&rdquo;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "I have your money here in my pocket. I merely wish to return it..."<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins></p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Bollocks. You have a gun in that pocket."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "No, that is a banana."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Who are you trying to cod? It's a gun."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "A banana"</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Gun"</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Banana"</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Gun"</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Banana"</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dan Bunne had meanwhile stood<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> up, and now chose this moment to spin anti-clockwise upon his left heel, in an attempt to sneak up on his lock of hair from the far side. <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins></p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; He failed. He fell over.<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"> </ins>His gun went off.</p>
<p>I jerke<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>d in reaction, and the banana flew out of my pocket, as Dan Bunne said, "Sweet Jesus Big Man, I've shot myself in the foot!"</p>
<p>Jimmy O&rsquo;Bliss fell over.</p>
<p>&ldquo;Oh no, wrong, cancel that, I&rsquo;ve shot Jimmy in the foot,&rdquo; said Dan Bunne, and tried to spit out his chewing gum. Nothing emerged but a small quantity of pink spit. "Dear God! I have been chewing my own cheek this past hour!" exclaimed Bunne. &ldquo;Isn't that gas, now? Hah? Hah? Hah?" He spat more pink spit and had a poke at the inside of his mouth with a jittery finger.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Charles J. ignored him and the yelping Jimmy. "Well, you were telling the truth about that banana. So give me my money."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I delved deeper into my pocket to retrieve the fifty thousand pounds. My fingers slid down, and along the bottom seam, and up the side seam, and out the gaping flap of the ripped, empty pocket.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "You'll never believe what I'm going to tell you," I said to Charles J. Haughey.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Charles took a step towards me, raising his gun, a semi-automatic weapon that appeared custom built. Dan Bunne&rsquo;s long barrelled goos<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>e-gun had a magazine big enough to contain a full box of cartridges. Jimmy O'Bliss had just dropped a Browning large-calibre <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>sniper rifle.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Are such weapons not illegal in the Republic?" I enquired, interested.</p>
<p>"We're not in the Republic now, Pinocchio,&rdquo; said the former Taoiseach, stroking his trigger and stepping closer. &ldquo;This island is extra-territorial. It's beyond the remit of the glorious fucking Republic."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Which is handy if you're bringing in workers, and you don&rsquo;t fancy the paperwork&hellip;" said Dan Bunne cryptically, with a wink.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Shut the fuck up, Bunne," said Charles J. Haughey, scowling. He turned back to me. "I am the law here. I am Judge, Jury and fucking Executioner."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A vivid metaphor indeed, I thought. He <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>had not lost his oratorical panache.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &ldquo;Hang on here a minute,&rdquo; I said.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I picked up my banana, and ran.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h3>CHAPTER TWENTY NINE</h3>
<p>&nbsp;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Obviously, the pocket had ripped open after being snagged on my fall from the helicopter. The great wad of cash could have slipped out at any point since. My only hope of clearing up this misunderstanding lay in recovering the money from where it had fallen and returning it,<strong> </strong>as proof of my bona fides. No doubt we would soon be laughing about their ludicrous mistake over a pewter goblet of hot mead. I retraced my route as exactly as possible, hopping into the fern-<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>filled high-walled channels in the limestone and running along them for a while before leaping out and tacking across the grain of the land, leaping the channels at right angles, before dropping back into another for a long, oblique run.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Further and further behind me followed Charles and Dan.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I made it back to the beach with little incident, but there was <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>no sign of the envelope. I clambered from the beach to the iceberg across a shifting mass of collapsed, melting debris.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Cracks and fissures provided hand- and foot-holds in the hard, frictionless surface, and with difficult<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>y, often on all fours,<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> I retraced the path of my easy descent. The ice creaked and cracked beneath me, whole slabs sometimes peeling away as I searched for a solid handhold. <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins></p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; At one point, spread-e<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>agled on the face of a flat cliff of ice, I noticed a curious phenomenon: the ice exploded out in a small spray of shattered fragments just a foot to the left of my head. When I leaned across to look at the strange hole or crater revealed, the same phenomenon took place a foot to the right of my head. I looked back at Charles and Dan to see if they could explain this curiosity,<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> but they seemed busy, a little way up from the base of the iceberg, fiddling with their guns. Not wishing to distract them, I pulled myself up over the lip of the cliff and kept climbing, hidden from them now by the high flank of the berg.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; At last, I reached the top:</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; And there it was, pristine upon the peak: the Brown Envelope, lying where it, and I, had first fallen.<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"><br /></ins></p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.juliangough.com/picture/bananascape.jpg?pictureId=9146134&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1301264907200" alt="" /></span></span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I relaxed and awaited the others&rsquo; arrival. It had been an exhausting climb, and I was glad of the chance to rest and eat my banana. Though bruised from the morning's events, its flesh was sweet ambrosia to me. I warmed myself with the thought of how relieved and delighted they would be to have their money returned to them.</p>
<p>They seemed a long time coming. Dan Bunne had no doubt been slowed by his unsuitable shoes.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; At length I heard their slow, almost cautious approach. "Up here!" I cried. "Come and get it!"</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The boom and echo of my voice shook free several ledges of snow, and, disintegrating,<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> they were whirled away down the berg by the chill wind. A split in the ice at my feet widened. I dropped my banana <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>skin into it. The splayed yellow star vanished, tumbling, into the darkness.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; A<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> low creak came from the depths.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Charles Haughey&rsquo;s rifle barrel appeared over the ridge, wearing a hat. I laughed at his prank. "Come up here and I'll give it to you!" I shouted, anxious to put the whole embarrassing misunderstanding behind me.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; From behind me, I heard the crunch of footsteps on fresh ice crystals. I turned in time to see Dan Bunne appear from over the far side of the frozen peak. He was looking at his feet, stepping carefully around the rim of the enormous nose-holes.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &ldquo;I&rsquo;ll give it to you right now. You asked for it,&rdquo; I said, reaching for my pocket, &ldquo;And now you&rsquo;re going to get it.&rdquo;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Dan Bunne swung the long barrel of his goose-g<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>un in my general direction and convulsively pulled the trigger. The massive recoil sent him skidding a full three yards backwards on the smooth leather soles of his Italian shoes. This would not have been so bad had he not been standing two yards from the edge of the Northernmost Hole.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I reached the edge too late to save him. "Dear God!" he cried as he fell. "The Snorter has become the Snorted! It is a judgement on me!"</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; His hands still gripped the gun, and as he fell he fired, the recoils tumbling him end over end faster and faster till he vanished into the darkness spinning like a Catherine Wheel<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> and emitting great blazing gouts of burning cordite with each report of his weapon until he had exhausted its capacity.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The explosions echoed and re-echoed long after the last blast of flaming gunpowder had scorched the Arctic air. A booming rumble began as the last echoes died, and grew louder. Ice cracked and split far below.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I stepped back from the edge of the Hole as the edge crumbled and fell in. A hairline fracture appeared in the hard ice beneath me. It ran past me in both directions, to the cliff edges.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; It widened to an inch, two inches...<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins></p>
<p>The left side of the peak suddenly fell a full <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>foot.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I had a remarkably bad feeling about this.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; With awful slowness, the iceberg began to split down the middle.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h3>CHAPTER THIRTY&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</h3>
<p>&nbsp;</p>
<p><span class="full-image-float-left ssNonEditable"><span><img src="http://www.juliangough.com/picture/iceberg.jpg?pictureId=9146351&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1301266310849" alt="" /></span></span>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; As the shuddering iceberg began to split, I tried to decide which side of the divide would be the better one to ride out the collapse upon. Yet the great noise made thinking difficult.</p>
<p>My mind was finally made up by the arrival over the ridge of Charles J. Haughey. Perhaps in some way blaming me for the destruction of his iceberg and the death of his oldest friend, he loosed a wild shot at me from close range. I prudently leaped the widening chasm, and found myself falling inland atop a cliff of ice, as Charles J. Haughey&rsquo;s side of the iceberg fell away from me, out to sea.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I wedged myself in a fissure, and endured the accelerating fall.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; My half of the split mountain toppled inland, its broad point of contact rolling up the shingly beach and across the stony fields, ever faster, until the very peak slapped against the stony hill crest and snapped off, countless tons of ice now tobogganing down the far slope to overrun the retirement home of Our Great Leader, coming to a halt now in its ruins.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I emerged from my fissure, and slid and fell down off the ice, through the shattered roof, and into the Imperial Bedroom.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I landed upon the plumped, heaped, purple satin pillows.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Sitting at the foot of the bed, bathing his wounded foot, happily untouched by the falling lumber, masonry, and ice, was Jimmy O'Bliss. He looked back at me over his shoulder with an expression I found difficult to interpret, due to the scarf obscuring his lower face. <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins></p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; He stood, and hopped at high speed from the room.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<h3>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; CHAPTER THIRTY ONE</h3>
<p>&nbsp;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I was delighted by this unexpected chance to return to Jimmy O' Bliss his packet of money.<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins> Still shivering from the icy peak, I wrapped myself in a beautifully soft sheet of rich Egyptian cotton, and pursued him down the main stairs, through the banqueting hall, into the kitchens, down into the cellars, and further down into the sub-cellars and past a dark tunnel-mouth.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Then back up again.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Finally, as loss of blood slowed the modest and reluctant old fellow, I cornered him in the banqueting hall. Above us, the clear glass roof was spangled with chunks of ice, and, above that, the shuddering overhang of the iceberg itself was a rich, dark blue you could almost mistake for an evening sky, were it not for the facthe <br />that <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>it dripped and creaked. Out through the French windows I could see the open-air swimming pool. A camel swam in its limpid waters. I advanced towards Jimmy and pressed the banknotes into his trembling hands. "You dropped this," I said, and turned to go.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Wait," said Jimmy in a weak voice, and I stopped, and turned. "One moment... I know it's here somewhere..." He opened a wooden cabinet and rooted around in its interior. Was I finally to be offered a glass of mead, <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>in thanks for my kind deed? Jimmy O'Bliss emerged with a bolt-action rifle.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "You're too fucking dangerous to live, Sonny Jim," he said, cocking the gun with a snap of the bolt. A tremor ran through the cliff of ice overhanging us, rattling the glass roof in its frame. A little avalanche of slush and melt-<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>water ran across the glass, rippling the blue light that filtered through to us so that we seemed to move underwater. "It is a thing I never understood, in the James Bond fillums," said Jimmy O'Bliss, "why it is they always explain their nefarious plans to James Bond, and then leave him to be killed by some complicated, untried, and unsupervised stratagem. Lasers, indeed. Volcanoes. Fecking alligators&hellip; Myself and Charlie would always be roaring at the telly, 'Shoot <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>him in the head! Just shoot him in the head!<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller">'</ins>" He sighed, pointed the gun at my head and pulled the trigger. The loud click of the firing pin on the empty chamber caused the cliff of ice above us to rumble, and lurch forward some inches. "Feck. No bullets. Hang on." He found a box of bullets in the cabinet.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "You are planning to shoot me in the head?" I said, somewhat taken aback.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "I am," he said, sliding out the empty magazine and loading it swiftly with bullets.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "That thought is a source of sorrow to me," I said, "for I am on a quest to win the heart of my true love, the most beautiful woman in Ireland and possibly the world."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "You intrigue me strangely," said Jimmy O'Bliss, pausing. "Tell me more."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I told him more.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Sounds great. Where does she work?"</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "In SuperMacs of Eyre Square."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; He nodded, and closed his eyes, and smiled. &ldquo;Ah, young love.&rdquo; He opened his eyes. &ldquo;God, I haven't ridden the hole off a young one in a long while. Yes, I have neglected the needs of the Heart.&rdquo; He slammed the full magazine up into the gut of the gun with the palm of his hand. The tremendous blue ice-cliff overhanging us swayed and dropped a foot at the report. "Ah,&rdquo; he sighed, &ldquo;youth is wasted on the young." He swung up the barrel.</p>
<p>"I was intrigued by the tunnel mouth," I said.</p>
<p>"What?" said Jimmy.</p>
<p>"Mr Bunne said something, too, about workers..."</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "Oh, Big Mouth Strikes Again," said Jimmy. He put aside his rifle. "Sure,&nbsp;<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>I suppose it won&rsquo;t do any harm&hellip; This is where the Blacks are brought in. Hy Brasil is, by a curiosity of the law, in extra-territorial waters. Then down the tunnels with them, and Barney writes the cheque....&rdquo;</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I was puzzled. &ldquo;Is such importation of shackled humanity strictly legal?"<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins></p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; &ldquo;Our once and future King can do whatever he fucking wants here, sonny boy. It's his rocky kingdom, the barren field of his exile. From this stony grey soil he shall gather his strength, till the people repent their treachery and call for him..." Jimmy sighed. &ldquo;He dragged this shit-h<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>ole out of the middle ages and into the twentieth fucking century, and how did the people thank him? They shafted him.&rdquo; He brooded a bit on this, and clarified. &ldquo;They fucked him up the arse and hung him out to dry. But why am I still yapping? Old age..." He snapped up the bolt on the rifle, hauled it back, baring the chamber into which popped up, spring-loaded, a large bullet. He then slammed forward the bolt, knocking the bullet into position. <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins></p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The cliff of ice above and behind him shifted, shifted again, <ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>lurched, and fell in its entirety on the banqueting hall, driving its stout pillars down through the next two floors, collapsing its own great wooden floor, the ancient carpet ripping free and sliding down the hole, so that I fell through the cellar, into the sub-c<ins datetime="2007-02-09T16:27" cite="mailto:Ben%20Yarde-Buller"></ins>ellar and rolled down the mouth of the tunnel wrapped in sheet and carpet. Jimmy, his suit snagging on a splintered joist as he fell through the cellar, did not follow me down. His rifle, jerked from his hands by his sudden arrest, did.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Now I had a gun. Jimmy did not. My position had improved.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Unfortunately, the collapsing iceberg had also breached the side wall of the open-air swimming pool, in which a camel still swam, alongside the banqueting hall.</p>
<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; It would have gone easier with me if the swimming pool had not been connected by a deep channel to the sea, to ensure the freshness of the bathing water: but it was: and the tide, too, being high, all the broad Atlantic attempted to follow me, camel and all, into the cellar, the sub-cellar, and, subsequently, the Tunnel.</p>
<p>&nbsp;</p>
<p><em><span class="full-image-float-right ssNonEditable"><span><a href="http://www.amazon.co.uk/exec/obidos/ASIN/1905847246/wwwjuliangoug-21" target="_blank"><img src="http://www.juliangough.com/picture/jude%20final%20front%20low%20res.jpg?pictureId=9146831&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1301270622896" alt="" /></a></span><span class="thumbnail-caption" style="width: 126px;">Jude: Level 1</span></span>((There you go... This episode is taken from <a href="http://www.amazon.co.uk/exec/obidos/ASIN/1905847246/wwwjuliangoug-21" target="_blank"><strong>Jude: Level 1</strong></a>, which will be reprinted later this year as <strong>Jude in Ireland</strong>. Jude's adventures will continue in the new novel, <span><strong>Jude in London</strong></span>, due out this September from Old Street Publishing.))</em></p>]]></content:encoded></rss:item><rss:item rdf:about="http://www.juliangough.com/journal/2011/3/2/julian-in-america.html"><rss:title>Julian in America!</rss:title><rss:link>http://www.juliangough.com/journal/2011/3/2/julian-in-america.html</rss:link><dc:creator>Julian Gough</dc:creator><dc:date>2011-03-02T10:59:28Z</dc:date><dc:subject>America New York Readings San Francisco Washington DC Yiyun Li milking machines spirited fiddlers</dc:subject><content:encoded><![CDATA[<p><span style="color: black;"><span class="full-image-float-left ssNonEditable"><a href="http://www.amazon.com/Julian-Gough/e/B001HPIHBG/ref=sr_tc_ep?qid=1299087439" target="_blank"><img style="width: 150px;" src="http://www.juliangough.com/picture/man-reading.jpg?pictureId=2026055&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1299087456857" alt="" /></a><span class="thumbnail-caption" style="width: 150px;">Me reading a book in Alaska</span></span></span></p>
<p><span style="color: black;">This coming week, I will attempt to please the pants off you, my beloved readers, by reading fiction in <a href="http://www.solasnua.org/juliangough.html" target="_blank">Washington DC</a> (March 5<sup>th</sup>), <a href="http://www.imagineireland.ie/index.php/programme/single/a_reading_with_julian_gough_moderated_by_yiyun_li/" target="_blank">San Francisco</a> (March 8<sup>th</sup>), and <a href="http://www.imagineireland.ie/index.php/programme/single/an_evening_with_julian_gough/" target="_blank">New York City</a> (March 10<sup>th</sup>).&nbsp; </span><span style="color: black;">(And if you don't know my stuff, I apologise for my presumption. Please, <a href="../../the-great-hargeisa-goat-bubble/" target="_blank">have one on me</a>.) </span><span style="color: black;">The fiction will be extremely, almost pathologically Irish. It may be, according to some, <a href="http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/books/fiction/article2069412.ece" target="_blank">funny</a>. It might even be <a href="http://www.guardian.co.uk/books/2007/apr/24/news.awardsandprizes" target="_blank">award winning</a>.<br /></span></p>
<p>&nbsp;</p>
<p><span style="color: black;">For those too lazy to click the links above &ndash; or who have just been afflicted by a deadly nerve toxin, spread on their keyboard by a rival in love, leaving them helpless, paralyzed, unable to click on the links above, no matter how bitterly they yearn to &ndash; I&rsquo;ll slap in the details below.</span></p>
<p><span style="color: black;">&nbsp; <br /></span></p>
<p><strong><span style="color: black; font-size: 150%;">Washington DC</span></strong></p>
<p class="white14"><span style="color: black;" lang="EN-US">The <a href="http://www.solasnua.org/juliangough.html" target="_blank">Washington DC gig </a>takes place on </span>Saturday, March 5 at 7pm, in <a href="http://www.sovadc.com/" target="_blank">Sova</a>, 1359 H Street NE, Washington, DC. Get a seat at the front with a good view, for I am thinking of wearing my black damask silk frock coat and bright yellow trousers.</p>
<p>&nbsp;</p>
<p><span style="color: black;"><strong style="font-size: 150%;">San Francisco </strong><br /></span></p>
<p><span style="color: black;">The <a href="http://www.imagineireland.ie/index.php/programme/single/a_reading_with_julian_gough_moderated_by_yiyun_li/" target="_blank">San Francisco gig </a>takes place on </span>Tuesday, March 8<sup>th</sup> from <span class="dtstart">7:00pm</span> to <span class="dtend">8:30pm</span>, in the <span class="fnorg">United Irish Cultural Center</span>, Room 2700 45th Avenue @ Sloat Avenue, San Francisco. <span style="color: black;">The wonderful <a href="http://en.wikipedia.org/wiki/Yiyun_Li" target="_blank">Yiyun Li</a> (author of </span><a title="Why not just buy it now on Amazon, you know you want to." href="http://www.amazon.com/Gold-Boy-Emerald-Girl-Stories/dp/1400068134" target="_blank">Gold Boy, Emerald Girl</a>, <a href="http://www.amazon.com/Vagrants-Novel-Yiyun-Li/dp/0812973348/ref=ntt_at_ep_dpi_6">The Vagrants</a>, and <a href="http://www.amazon.com/Thousand-Years-Good-Prayers-Stories/dp/1400063124/ref=bxgy_cc_b_text_b" target="_blank">A Thousand Years of Good Prayers</a><span style="color: black;">) will moderate, and boy do I need moderating. As Yiyun Li <a href="http://www.facebook.com/event.php?eid=143752329022444" target="_blank">points out here</a>, the last time she heard me read, I was accompanied by milking machines and cows.</span></p>
<p><span style="color: black;">&nbsp;</span></p>
<p><strong><span style="color: black; font-size: 150%;">New York</span></strong></p>
<p><span style="color: black;">And the <a href="http://www.imagineireland.ie/index.php/programme/single/an_evening_with_julian_gough/" target="_blank">New York gig</a> features me and </span>Cady Finlayson. <span style="color: black;">a &ldquo;spirited Irish fiddler.&rdquo; It takes place on </span>Thursday, March 10, 2011, 6 p.m.<span style="color: black;"> at the </span><a href="http://www.nypl.org/locations/tid/34/node/111238?lref=34%2Fcalendar" target="_blank">Hudson Park Library</a>, 66 Leroy Street, New York, NY.</p>
<p>&nbsp;</p>
<p><span style="color: black;">OK, now I've got to go pack. Tell your friends, lie to your enemies, and I'll see you down the mosh pit.<br /></span></p>]]></content:encoded></rss:item><rss:item rdf:about="http://www.juliangough.com/journal/2010/11/3/comedy-tragedy-and-radio-3.html"><rss:title>Comedy, Tragedy, and Radio 3.</rss:title><rss:link>http://www.juliangough.com/journal/2010/11/3/comedy-tragedy-and-radio-3.html</rss:link><dc:creator>Julian Gough</dc:creator><dc:date>2010-11-03T12:27:22Z</dc:date><dc:subject>Comedy Francis Spufford Interviews Literary Festivals Philosophy Radio Red Plenty Science Fiction Work</dc:subject><content:encoded><![CDATA[<p><span class="full-image-block ssNonEditable"><span><img src="http://www.juliangough.com/picture/homers_brain.jpg?pictureId=1741636&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1288863512947" alt="" /></span></span></p>
<p><strong><span style="color: black; font-weight: normal;" lang="EN-US">I will be blithering about comedy this weekend, as part of<a href="http://www.bbc.co.uk/radio3/freethinking/"> BBC 3's Free Thinking Festival</a>, if that&rsquo;s the kind of thing that scratches your scrotum or tickles your cervix. There's lots of good stuff in the festival, but my event will be a gory battle to the death between Tragedy and Comedy, that will take place live in </span></strong><strong><span style="color: black; font-weight: normal;" lang="EN-US">The Sage, Gateshead (near Newcastle), and be broadcast on <a href="http://www.bbc.co.uk/radio3/nightwaves/">BBC 3's Nightwaves</a> some time later (not sure when)</span></strong><strong><span style="color: black; font-weight: normal;" lang="EN-US">. Wearing the black hat and jackboots of tragedy, </span></strong>Professor of English <strong><a href="http://www2.warwick.ac.uk/fac/arts/english/people/permanentacademicstaffstaff3/rutterprofcarol/">Carol Rutter</a> </strong>and comedian and classicist<strong> <a href="http://en.wikipedia.org/wiki/Natalie_Haynes">Natalie Haynes</a></strong>. Wearing the white hat and extremely long floppy shoes of comedy, passionate comedian <strong><a href="http://en.wikipedia.org/wiki/Janey_Godley">Janey Godley</a> </strong>and me.<strong><span style="color: black; font-weight: normal;" lang="EN-US"> It's ticketed, but free.<br /></span></strong></p>
<p><strong><span style="color: black; font-weight: normal;" lang="EN-US">&nbsp;</span></strong><span lang="EN-US"><strong>&nbsp;</strong></span></p>
<p><a href="http://www.thesagegateshead.org/whats_on/event.aspx?e=&amp;eid=634223896650866250_30&amp;ts=634247289000000000&amp;spid=19124&amp;id=19125&amp;df=634244586366136250&amp;dt=634582943990000000&amp;g=&amp;p=&amp;f=&amp;ar=&amp;keywords=&amp;match=any"><strong><span style="color: black; font-weight: normal;" lang="EN-US">More details on that, including how to get free tickets, here.</span></strong></a></p>
<p><strong><span style="color: black; font-weight: normal;" lang="EN-US">&nbsp;</span></strong><span lang="EN-US"><strong></strong></span></p>
<p><strong><span style="color: black; font-weight: normal;" lang="EN-US">The problem of comedy has certainly furrowed my mighty brow this month. <a href="http://www.apublicspace.org/back_issues/issue_11/reality_is_a_bananaskin_on_which_we_must_step.html">&ldquo;Reality Is A Bananaskin On Which We Must Step&rdquo;</a> addresses that very subject, in the latest issue of <a href="http://www.apublicspace.org/back_issues/issue_11/reality_is_a_bananaskin_on_which_we_must_step.html">A Public Space</a>. For those of you too lazy to click through to the whole thing, I&rsquo;ll sum it up for you in a line:</span></strong></p>
<p><span style="color: black;"><strong> </strong></span><em>The relationship of a rock to its mountain will never be funny, because the rock does not believe it is the centre of the universe.</em></p>
<p>&nbsp;</p>
<p>Meanwhile, let me recommend a book, or at least 50% of a book: I am halfway through <a href="http://www.amazon.co.uk/Red-Plenty-Francis-Spufford/dp/0571225233"><strong>Red Plenty</strong></a>, by <a href="http://en.wikipedia.org/wiki/Francis_Spufford">Francis Spufford</a>, and so far it&rsquo;s the most enjoyable thing I&rsquo;ve read all year. A splendid novel about Soviet economics in the 1950s, it reads like the satirical science fiction of the wonderful <a href="http://en.wikipedia.org/wiki/Arkady_and_Boris_Strugatsky">Strugatsky brothers</a>. (They wrote the charming <a href="http://en.wikipedia.org/wiki/Roadside_Picnic">Roadside Picnic</a>, which <a href="http://en.wikipedia.org/wiki/Andrei_Tarkovsky">Andrei Tarkovsky</a><a href="http://en.wikipedia.org/wiki/Andrei_Tarkovsky"> </a>filmed, in far bleaker form, as <a href="http://en.wikipedia.org/wiki/Stalker_%28film%29">Stalker</a>.) But it&rsquo;s all true. A superb novel of ideas, deeply researched, deeply felt, deeply enjoyable, if it stays this good to the end it will be my novel of the year&hellip; I&lsquo;ll post a final verdict when I&rsquo;m done.</p>
<p>﻿</p>]]></content:encoded></rss:item><rss:item rdf:about="http://www.juliangough.com/journal/2010/9/23/free-sex-chocolate-in-a-church-in-dublin.html"><rss:title>Free Sex Chocolate in a Church in Dublin</rss:title><rss:link>http://www.juliangough.com/journal/2010/9/23/free-sex-chocolate-in-a-church-in-dublin.html</rss:link><dc:creator>Julian Gough</dc:creator><dc:date>2010-09-23T10:18:46Z</dc:date><dc:subject></dc:subject><content:encoded><![CDATA[<p>I want to invite you to a hooley in Dublin. It should have everything - Wine! Food! Poetry! Song! <a href="http://www.advertiser.ie/galway/article/31184" target="_blank">Book-burning</a>!</p>
<p><span class="full-image-float-left ssNonEditable"><span><a href="http://www.amazon.co.uk/Free-Sex-Chocolate-Salmon-Poetry/dp/190705636X" target="_blank"><img src="http://www.juliangough.com/picture/medium%20fsc%20cover.jpg?pictureId=6922020&amp;asGalleryImage=true&amp;__SQUARESPACE_CACHEVERSION=1285240458268" alt="" /></a></span><span class="thumbnail-caption" style="width: 189px;">Free Sex Chocolate, in a dusty bookshop near you. Probably under the counter, in a brown paper bag.</span></span></p>
<p>If you can&rsquo;t be in Dublin yourself, tell your Dublin friends: This Thursday (Sept 30th, 2010), at 6.30pm, Salmon Poetry present <a href="http://www.advertiser.ie/galway/article/24893" target="_blank">Free Sex Chocolate</a> in the <a href="http://www.unitarianchurchdublin.org/" target="_blank">Unitarian Church on the corner of St. Stephen&rsquo;s Green</a>, Dublin. (There's <a href="http://www.unitarianchurchdublin.org/map.htm" target="_blank">a map here</a>.) I&rsquo;ll be reading a few poems (and perhaps even singing an old <a href="http://en.wikipedia.org/wiki/Toasted_Heretic" target="_blank">Toasted Heretic</a> song or two) from the pulpit. (Neil Farrell, former drummer with Toasted Heretic, and the co-writer and producer of all our albums, will officially launch the book.)</p>
<p>This is a golden opportunity to drink free wine while simultaneously soaking up a bit of culture, going to church, and sorting out your Christmas presents early. (I will happily sign copies.) Probably the most useful and spiritually beneficial hour you will ever spend.</p>
<p>It&rsquo;s a double launch, so the poet<a href="http://en.wikipedia.org/wiki/Eil%C3%A9an_N%C3%AD_Chuillean%C3%A1in" target="_blank"> Eil&eacute;an N&iacute; Chuillean&aacute;in</a> will break a bottle of champagne over the head of the wonderful <a href="http://en.wikipedia.org/wiki/Rita_Ann_Higgins" target="_blank">Rita Ann Higgins</a>, whose book of essays and verse-memoir, <a href="http://www.salmonpoetry.com/details.php?ID=206&amp;a=121" target="_blank">Hurting God</a>, is so splendidly controversial that every copy has already been pulped, a week before publication! (Read all about it <a href="http://www.irishtimes.com/newspaper/frontpage/2010/0923/1224279508981.html?via=mr" target="_blank">in today&rsquo;s Irish Times</a>&hellip;) Don&rsquo;t worry, you&rsquo;ll be able to get the slightly amended version, with some lines taken out &amp; names changed, on the night.</p>
<p>Fair play to the Unitarians for letting us use their church (which is still fully functioning as a Unitarian place of worship, masses and all). Ah, the anointing of Irish writers as a new priestly caste (which I <a href="http://www.guardian.co.uk/books/2010/feb/11/julian-gough-irish-novlists-priestly-caste" target="_blank">wrote about recently</a>) is almost complete!</p>
<p>Oh yes, the book&hellip; Free Sex Chocolate contains the best poems I&rsquo;ve written over the past few years, and all the Toasted Heretic lyrics (which were my attempt at a new pop poetry, back in the day). I may as well end with a poem from the book&hellip; this is the Internet, and you are Modern! Fast! And In A Hurry! So I won&rsquo;t give you one that&rsquo;s long, depressing, or hard chewing (those ones are best read from the book itself, by candlelight, in the bath.) This one was written in a caf&eacute; in Berlin (Sankt Oberholz, on Rosenthaler Platz, if you&rsquo;re interested), during the 2006 World Cup&hellip;</p>
<p>&nbsp;</p>
<p><strong>Goal</strong></p>
<p>&nbsp;</p>
<p>They have installed the tiny goalposts</p>
<p>In the stand-up pissers</p>
<p>The tiny orange football</p>
<p>Is hanging by its thread,</p>
<p>Above the anti-splash mat,</p>
<p>Greener than the real grass.</p>
<p>Builders and philosophers</p>
<p>Blast it in the net.</p>
<p>&nbsp;</p>
<p>Even when our cocks are out</p>
<p>It&rsquo;s football that we think about.</p>
<p>&nbsp;</p>
<p>The final is on Sunday</p>
<p>At home, the wives are wet</p>
<p>They know that we have secrets</p>
<p>It&rsquo;s worse than they suspect.</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>(From <a href="http://www.amazon.co.uk/Free-Sex-Chocolate-Salmon-Poetry/dp/190705636X" target="_blank">Free Sex Chocolate, Salmon Poetry 2010</a>)</p>
<p>&nbsp;</p>
<p>And remember, if you buy a novel, the novelist merely shrugs. But if you buy a book of poetry, the poet eats! A shoe is bought for his barefoot child! So if you can&rsquo;t make it to Dublin, but would like the book anyway, you can get it <a href="http://www.salmonpoetry.com/details.php?ID=191&amp;a=177" target="_blank">direct from Jessie of Salmon Poetry here</a>, or buy it from <a href="http://www.amazon.co.uk/Free-Sex-Chocolate-Salmon-Poetry/dp/190705636X/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1285238541&amp;sr=8-1" target="_blank">Amazon in the UK</a>, or <a href="http://www.amazon.com/Free-Sex-Chocolate-Salmon-Poetry/dp/190705636X/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1285238541&amp;sr=8-1" target="_blank">Amazon in the USA</a>. Poems and songs are peculiarly personal, far more so than novels, so I&rsquo;d like to hear what people think of the collection - or, if you were once a Toasted Heretic fan, what hideous memories of an ill-spent youth are triggered by the songs... You can tell me what you think of the book, the band (or anything else), by writing to me at my secret email address, which is juliangoughssecretemailaddress at gmail dot com.</p>
<p>As we used to say in the playground, see you next Thursday&hellip;</p>]]></content:encoded></rss:item></rdf:RDF>
